Georgia Douglas Johnson wrote many plays in the 1920s and 1930s. At the time, professional theater companies rarely put on plays by Black women, so few of Johnson’s plays made it to the stage. Only a small number of her plays were published in her lifetime. But that doesn’t mean that Johnson never learned what other people thought of her plays. Johnson hosted weekly get-togethers for fellow Black writers and artists in her Washington, D.C., home. Attendees would read and discuss one another’s work, including Johnson’s own. These gatherings could therefore serve as ______