Off-off-Broadway theaters emerged in the late 1950s as a rebellion against mainstream Broadway theaters in New York, freeing artists to create productions that were more experimental than typical Broadway shows. One such artist was playwright María Irene Fornés. Working with off-off Broadway theaters enabled Fornés not only to direct her own plays but also to direct them exactly as she intended them to be staged, regardless of how strange the results might have seemed to audiences accustomed to Broadway shows. In this way, Fornés _____