Text 1 Like the work of Ralph Ellison before her, Toni Morrison’s novels feature scenes in which characters deliver sermons of such length and verbal dexterity that for a time, the text exchanges the formal parameters of fiction for those of oral literature. Given the many other echoes of Ellison in Morrison’s novels, both in structure and prose style, these scenes suggest Ellison’s direct influence on Morrison. Text 2 In their destabilizing effect on literary form, the sermons in Morrison’s works recall those in Ellison’s. Yet literature by Black Americans abounds in moments where interpolated speech erodes the division between oral and written forms that literature in English has traditionally observed. Morrison’s use of the sermon is attributable not only to the influence of Ellison but also to a community-wide strategy of resistance to externally imposed literary conventions.